Buy BUTTERFLY BLOOD on Amazon for only $0.99 from August 27th – 31st): https://www.amazon.com/dp/B07DYLLVDX/
Previous Book in the Series (click on image for Goodreads link):
And BUTTERFLY BONES is FREE on Amazon from August 27-31): https://www.amazon.com/Butterfly-Bones-Coming-Age-METAMORPHOSIS-ebook/dp/B01M1E9854/
Hey guys! I’m so excited to reveal the cover for Butterfly Blood, as well as the new series cover for Butterfly Bones. They are gorgeous, and I have to give kudos to Emma Wicker, the amazing creative designer for Lakewater Press, who takes my ideas and turns them into works of art. I can’t stop looking at them!
Without further ado, here they are!
Butterfly Blood (Metamorphosis #2)
by Rebecca L. Carpenter
Genre: YA Sci-fi
Release Date: August 2018
A sixteen-year-old girl who cheated death continues her fight for survival as she goes up against real-life monsters, desperate for her unique blood, while risking everything to reunite with the love of her life, who is battling his own soul-sucking demons.
pre-order on Amazon: https://www.amazon.com/dp/B07DYLLVDX/
An excerpt from BUTTERFLY BLOOD:
Darkness consumes him.
His lungs burn as if they’ve been lit on fire.
He reaches out for something.
But nothing is familiar.
And he can’t feel anything.
But it’s a foreign language.
Foreign and muffled.
Light enters his brain, blinding and as painful as staring into the sun.
The brightness grows, with it the sharpness of a thousand needles.
He wants to scream.
He opens his mouth to scream.
But only a weak cry slips over his parched lips.
The light retracts.
Darkness slithers toward him, coiling up his leg …
Moving ever so slowly until it reaches his mouth and slips inside.
And all he wants to do is drink it up.
The first book in the Metamorphosis series, Butterfly Bones, has a cover redesign!
BUTTERFLY BONES AMAZON US: https://www.amazon.com/Butterfly-Bones-Coming-Age-METAMORPHOSIS-ebook/dp/B01M1E9854/
About the Author
Rebecca Carpenter is a native of western Colorado. She is married with two grown children and has been blessed with five amazing grandchildren. She owns and directs a large childcare center where she shares her love for books. In her spare time, she freelances as a copy editor, helping others attain their writing dreams. She self-published a memoir about her teen pregnancy in 2012, and her award winning, science fiction young adult novel, Butterfly Bones, was released on Nov. 28th, 2016 by Lakewater Press, with the second book in the Metamorphosis series, Butterfly Blood, scheduled for release in late August of 2018.
Cover Reveal Organized by:
Walk. A typical word found in every manuscript and story, but one the writer often overlooks as a way to create mood, show body language, and provide a clear picture of the character’s emotional status, without telling the reader how the character feels.
But does this really matter? It depends on the above mentioned things, context, and what the writer is hoping the sentence portrays.
He walked to the store.
Locating her dog, she walked over.
They walked to the gate.
Without context, we don’t have any idea what the character’s mood is, what they want, and the overall feel of the scene.
With the hundred-dollar-bill burning a hole in his pocket, he walked to the store.
Locating her dog near the edge of a busy street she walked over.
Arriving at the airport ten minutes late, they walked to their gate.
With just a little more information, we can clearly come to the conclusion that each of these sentences carries a sense of urgency, and therefore, since “walked” doesn’t support that urgency, it isn’t the best word choice.
With the hundred-dollar-bill burning a hole in his pocket, he ran to the store.
Locating her dog near the edge of a busy street, she bolted over.
Arriving at the airport ten minutes late, they raced to their gate.
So before you choose to use the word “walked,” determine what you’re trying to portray to the reader (suspense, fear, urgency, happiness, etc.), and make sure each word choice supports that vision.
Below you will find a handy list of synonyms for walked.
Copy editor at Kate Foster Professional Editing Services, Award-winning Ya author, Assistant Editor at Lakewater Press
Foot it Toddle
Hoof it Travers
Leg it Tread
Let’s face it, everyone uses “get” when they speak. The verb is probably one of the most used words in the English dictionary. So what’s the big deal with all the fid“get”ing over the use of “get” in a manuscript?
Simply put, “get” is a weak verb, generic, a quick go-to which has hundreds of different meanings.
Example: He needs to get to the store and get some food before the kids get home from school.
Not only is this repetitive, but each time “get” is used, a better, more vivid verb can replace it, creating a stronger sentence and clearer picture.
Example: He needs to hurry to the store and buy some food before the kids return home from school.
This sentence paints a clear picture of exactly what’s going on, placing an emphasis on the lack of time before the children return and that they will probably be hungry. Or maybe he doesn’t like to shop with the kids. Whatever the reason, this sentence lends a hand into the precise meaning of the words.
But what if I changed the meanings of the word “get” in the sentence?
Example: He needs to sneak into the store and steal some food before the kids arrive from school.
This completely changes the meaning of the sentence, providing the reader a different take on the word “get” and therefore, creating a completely different scene.
So as you see, it really is important to be specific and make sure you’re writing paints a clear picture as to the meaning of the word.
While it’s okay to use “get” on occasion—especially if a more vivid verb doesn’t appear to be available, a strong writer will seek them out and change as many as possible. On a positive note, use of “get” is always fine in dialogue, but I still look for places that I can switch them out as well.
Whatever you do, don’t allow this pesky word to halt your creativity. Write as many “gets” in your first draft as necessary, just to “get” the story on paper. When you begin to revise, perform a search and carefully study each one for meaning, and determine if the word should be left or changed out.
Your prose will be stronger, and you will be one step closer to an unfor“get”table manuscript.
Rebecca Carpenter is a copyeditor at Kate Foster Professional Editing. She also provides copyediting for Lakewater Press, and her YA novel, Butterfly Bones, is an Official Selection in the New Apple Awards for excellence in indie publishing.
It’s Lakewater Press’s 2nd birthday, so to help celebrate my awesome publisher’s big day, we have been asked to share our favorite birthday memories.
Anyone who knows me knows that I’m naked without my earrings. And I’m not a studs girl. What’s the point of wearing something you can barely see? I’m a “the bigger the better” hoops girl.
So my most memorable birthday is my 14th, the day I anticipated from the time I was little—the day I could join the throng of girls with pierced ears. In my eyes, earrings were a symbol of maturity, beauty, and a little defiance too. Putting holes in one’s body was still considered taboo to many people, a downright sin to others. But I didn’t care what other people thought, this was my right-of-passage to endless ear fashion, and I couldn’t wait.
Lucky for me, my 14th birthday fell on a weekday, so Mom took me to the mall the weekend before to indulge in some early birthday shopping and to receive the present I had waited for my whole life. Not only was I getting my ears pierced, the coveted act was happening four days early. The anticipation I felt while I sat in the chair, waiting for “the gun” to shoot a piercing stud through my lobes, rivaled any Christmas morning. I was gonna rock those earrings, right along with my 80s hair and Levi’s 501, buttonfly jeans. Life was good.
Waltzing in the door to my home, I never felt prettier. I had on new blue flats, just like my older sister’s, a new outfit in a bag, and bling in my earlobes. I tucked my hair behind my ears, strode up the stairs to the upper level, and was met by a glaring sister. She took one look at my shoes and punched me in the gut.
“Get those off,” she cried. “I never gave you permission to wear my shoes.”
With tears streaming down my cheeks, I clutched my stomach and yelled that these were my shoes, just bought for my birthday.
She took one look at my ears and glared. “Well that’s what you get for getting your ears pierced early.”
I don’t remember if she got into trouble, but she definitely felt justice was served. The pain was worth it. I had joined the ranks of women all over the world who donned glorious earrings. My life would forever be changed, my lobes forever decorated in metallic glory.
Happy birthday to me! And a very special happy birthday to Lakewater Press!
Author of the award winning YA, Butterfly Bones
Stronger verbs. Do they really matter? I’ll take a commonly used one, LOOK, and provide some examples of how a strong verb lifts up the story, while weak verbs add nothing—holding down a potentially great scene.
So, what’s the big deal with look? I mean, we all look at stuff. We look down. We look up. We look over our shoulder. We look at people. We look at everything. That’s how we take in a good portion of information to our brain—through looking. So why should we use other words to fluff up something that’s so common? Because how we look at something and why we look at something helps paint a picture, therefore creating conflict and mood for an unforgettable scene. But this can’t be accomplished with the word “looked.”
Let’s start with how we look at something.
“She looked through the crack in the door” provides nothing to the scene and doesn’t create a clear picture. But replace “looked” with a stronger verb, and the sentence comes alive. “She peered through the crack in the door.” The latter gives a clearer picture of the character leaning in, her eye close to the crack, and creates tension. What’s outside the door? What’s going on that has her too scared to just poke out her head? Peered is much stronger, and shows how she looked through the crack in the door instead of just telling the reader she looked through the crack in the door.
“June looked at her mother.” This sentence tells us nothing about the scene, nothing about June’s mood or the relationship between June and her mom. But if I replace “looked” with a stronger verb, the scene comes alive. “June glared at her mother.” The reader can automatically assume June is upset with her mom, something we couldn’t have determined from the weaker verb of “looked.”
“Nicky looked through the curtains.” Again, a plain scene with nothing to hint at what’s going on. “Nicky peeked through the curtains.” This gives a clear picture of the character standing close to the curtains, but not wanting to be seen, she remains hidden behind the curtains.
The next step is to determine why we look at something. This one provides a reason to “look.”
“Footfalls pounded from behind. Mike looked over his shoulder and ran.” While the footsteps set up the scene for something sinister, the word “looked” adds nothing to the tension. “Footfalls pounded from behind. Mike glanced over his shoulder and ran.” To glance at something means to make sudden, quick movements. From the definition we can conclude that whatever is behind Mike is horrible enough to make him run with only a quick sighting.
“Blood gushed from Coltin’s hand. The doctor looked at the wound and determined he needed surgery.” Again, we have a nice setup, but fall short of a vivid scene. “Blood gushed from Coltin’s hand. The doctor examined the wound and determined he needed surgery.” “Examined” offers a clearer picture of how in depth the doctor went to make the determination.
Now don’t get me wrong. It’s perfectly fine to use “looked” on occasion, but when a stronger verb can show instead of tell, that’s when I recommend changing it out.
But how do we know which words to use? To help you with this, I compiled a list of synonyms to use instead of “looked.” I also included synonyms for “looks like” and “walked” which are also commonly overused in manuscripts.
So search through those manuscripts and switch out those generic verbs that don’t add to the story. Words matter. Make each one count.
Rebecca Carpenter is a copy editor for Kate Foster Professional Editing and for Lakewater Press. Her first novel, Butterfly Bones, a young adult contemporary science fiction, came out in Nov. of 2016. The sequel, Butterfly Blood, is scheduled to be released in 2018.
Synonyms for Looked
Synonyms for Looked Like
Synonyms for Walked
Foot it Scurries
Hoofs it Lumbers
Leg it Parade
Power Walk Gimps